How to Make a Graphic Novel
The Terrible Anvil
Medium Rare: Analog, Digital, and Everything In Between
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Medium Rare: Analog, Digital, and Everything In Between

Episode 17 of The Terrible Anvil with Jess Ruliffson and Tom Hart

Comics itself is a medium and practice. But it also can be host to lots of different working mediums: traditional comics materials, new digital tools, watercolor, printmaking—whatever your heart desires! How do you choose yours?

(Watercolor illustration by Jess Ruliffson)

What medium feels gratifying, what feels satisfying, what is too labor intensive right now? Maybe you are still learning a new medium, and figuring out how to make short experiments to get fluent and/or fast. Try practicing it every day—returning to the "terrible anvil of daily deadlines" to establish your style!

Hyena Hell once said to avoid using materials that present more of a block to you. Working in the ‘wrong’ medium, i.e. one we are unfamiliar with, can be a kind of defensive armor against finishing the work: "Once I get good at this I will start/finish my comic."

Don’t wait, call today! WHAT DO YOU HAVE IN YOUR HANDS RIGHT NOW? Use that first.

Some tips or things to try when choosing a medium for your comics:

  • Do what works for you, not what people say you should use

  • Find the tools that feel good in your hand and help you express yourself

  • Set parameters for yourself to not get overwhelmed by choice

  • Play with 'weirder' mediums like photo comics and collage

  • Use whatever materials are available to you (financially, spatially)

  • Get the fancy stuff if you want!

  • Change mediums between projects

There's lots more on the call, so give it a listen!

And join us for next week's episode as we get deep into COLOR!

You can watch the call live by joining the SAW FLOW + PUBLISH member group, where you'll also get access to a supportive community and expert guidance on getting your comics published! Sign up here: https://learn.sawcomics.org/courses/comics-flow-group

See you next time!

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Discussion about this podcast

How to Make a Graphic Novel
The Terrible Anvil
How do you make comics without all the frustration? Without feeling lousy and inadequate all the time? With the Terrible Anvil of daily deadlines! And a community, and mindset shift about what it means to make comics and art. Jess Ruliffson and Tom Hart are working through the whole process, one piece at a time, turning frustration into fun and glee.